Kings of the Dead came out six years ago, and as was quite popular at that time with zombie genre books, was written in a journal format. The popularity of that format has died down in recent years but with my attempts to read many of the books I failed to read in years past, I am reminded once again how many authors chose to go this route. I’ve shared the advantages and disadvantages of this format in prior reviews, and of course, this book is no exception. I do give credit where credit is due, of course. Author Tony Faville remains true to the format, not moving to a third person narrative at any point, which some authors tend to do when they feel the relentless need to reveal things the narrator doesn’t know and thus can’t share with the reader. To avoid this pitfall, Cole’s journal is written in by others when he is not available at certain points in time, which fills in those gaps in the story there would otherwise be if limited to his perspective alone. This adds a few interesting twists to the story as Cole himself reads these entries, left as notes for him upon his return to his journal. It serves as smoother tale because the author didn’t suddenly change writing styles, which I appreciated.
The story is fairly standard zompoc fare, told from the perspective of a man with former military and medical experience, who has prepared with a group of friends for the end of the world as we know it for several years as a hobby. Zombies crop up when the vaccine for a new strain of the flu ends up reanimating those who have taken it. The zombies are mainly the slow shamblers here, with a mix of faster undead joining the fray as the story and timeline moves forward.
This is a fairly personal story. Like some of the other journal written sagas, there is a good chunk of the author’s personality shining through the narrator. This is a story of someone who is a fan of the genre writing a story of survival they have envisioned for themselves and their friends. It does add something to the telling of the tell-a pseudo autobiography envisioned by the author were there a zombie apocalypse. Authors are guided to “write what you know” and Tony does so here, having the personal knowledge related to weaponry, medical skills, and other related topics that would have an impact on survival in an undead world. Credit to the author for not ‘over doing it’ as I have seen a tendency of some to do when it comes to slathering their pages with an excess of demonstrated expertise in a particular area that rapidly turns into overkill. The flow here is more natural and the while the reader will know the author knows his stuff, they won’t be blasted with it on every page.
While the survivors hunker down, attempting to build a new home in their region of Oregon for much of the first half of the book, the story becomes, in time, more of a road trip as Cole, the narrator, ponders the meaning of existence in a dead world and chooses to take a journey of discovery. Cole struggles with the loss of friends and trying to find a reason to carry on, but there are also glimmers of hope that give him, and the reader, reasons to carry on.
There are some rough spots in the story and some of that comes from the format-we don’t get to discovery something happening as it happens, but written as a report done the following day or in the hours following the actual event, which dilutes some of the emotional resonance. Still, there is definite emotional potency here, especially as related to the people Cole deeply cares for and will do anything to try and keep safe, which in the an undead world is a very difficult thing to do.
As is the case with many journal oriented zombie tales, there is not necessarily a main focus outside of survival written on its pages-survival of the body as well as the spirit. As such, it meanders a good bit, but the ending was quite satisfying and unlike many of the books of a similar make and model, the author doesn’t demand that you read three or four more entries in a series to make his point. This book does so succinctly and with quiet grace.
Overall, if as a zombie genre fan you aren’t burnt out on the diary approach to zombie fiction, Kings of the Dead is a solid addition to your library.
Kings of the Dead can be found here: https://www.amazon.com/Kings-Dead-Tony-Faville/dp/1934861839/ref=cm_cr_arp_d_product_top?ie=UTF8
Every once in a while I like to break out of my normal routine and do something a bit different. I watch horror films-quite a few, in fact, but I have only posted a review of a couple of them on my blog. I stick to reviewing horror novels, and primarily independent stuff from independent authors and smaller presses. After all, the “big” stuff gets along just fine whether I review it or not, while the smaller, lesser known works get a boost from every review they receive-good, bad, or indifferent. Recognition and awareness is key to gaining a wider audience. Especially if you are trying to turn your ‘little’ project into something bigger. So I thought I would do my part and check out a short film by a guy named Jim Rothman (twitter handle: @ScytheJim), who is working hard on getting the crowdfunding to turn a fifteen minute short into a full length horror feature. Jim shared his film with me for the promise of a fair and honest review. And unlike so many other reviews I do, where I can only give you the link to go purchase your own copy, I am sharing the link so you can watch the film, in all its glory, for free, right now, without spending another dime! Ain’t that somethin’?
Naturally, Jim is looking for donors to help fund this project, so while you don’t have to pay to watch the short, you might consider a contribution if you like what you see and would like to see more. And Jim tossed in a bit of an extra for anyone who decides to donate $50 at supportscythe.com if they do so on Monday. Whoever pledges $50 for the Baseball Cap and Blu-Ray package (again, ON Monday) will also get an autographed copy of the script. Not too shabby a deal. So, what’s all the hubbub about? Well, you can watch the movie here: Scythe Short Film.
Okay, so we’ve gotten all the promotional stuff out of the way! On to the review:
The setup with Scythe is fairly traditional slasher fare. Two college aged girls are sitting in an apartment, one, Amy, lamenting what kind of impact she’ll manage to have on the world at large while she studies for exams. She fears no one will remember her-that she will leave no impression on anyone else including future generations. The other girl, offering up another hit off the joint they’ve been smoking, gives Amy a pep talk about how she will end up doing great things, just before our main character decides it’s time to walk home. Next, we see the second girl turn on the television to watch a news report that a imprisoned killer has escaped and is on the loose in the local area.
Pretty routine set up, and in some ways, what follows is also pretty routine. Where this film ended up resonating for me, in its brief time on my computer screen, was in the build up of tension that takes place after Amy begins her walk home and is warned, via cellphone by her friend, of the escaped maniac on the loose. The filmmakers allow the energy to build, through the music, the surrounding environment, and through the main character’s expressions and body language. Amy’s fear ebbs and flows based on what is going on around her, and that was what yanked me along with her through her harrowing journey.
In a film like this, even in short form, its as much what you know as you don’t know, and playing the guessing game about what will happen next. We all do it-when will the slasher appear, and when will they administer the coup de grace? If it’s predictable, it’s usually forgettable. But when you guess wrong and you get that adrenaline rush because you’re startled, taken off guard, or even pee yourself a bit…that’s the payoff. And for a short film that was produced in an effort to show the capabilities of these filmmakers and the promise of something greater, the payoff was there for me. Much of it was in the promise of something greater rather than just what happens on the screen. In other words, I took the bait right off the hook (or off the Scythe, in this case, har har).
The production values (I have a friend who always looooved to use that term when describing a film-it made him feel all refined and movie savvy, I suppose) were solid. The acting was decent and the music, as I already mentioned, blends well with what is happening on screen. Whatever the budget they had to make this promotional piece, it didn’t feel cheap, shabby, or hastily constructed.
The bottom line for me is not that this little film was mind altering or in and of itself a great standalone film. It’s fun and entertaining, certainly, but more importantly, serves its purpose. That purpose is to draw you in enough to want to see what the creators could do with the budget necessary to make a full length version of Scythe.
But don’t take my word for it. Check it out yourself. If you like it, promote it. If you really like it, consider tossing a few coppers in the direction of the filmmakers so you can see even more of Scythe. And if you don’t like it…well, it was just 15 minutes out of your life, now wasn’t it?
All Souls Day provides the reader with an alternate history: what if the Cuban Missile Crisis escalated into war? What if the nuclear holocaust that followed laid waste to much of what we know, except for one small town in Pennsylvania that was protected by the power of the ancient demon, Moloch? In exchange for its protection, which shelters the townspeople from the burnt and irradiated outside world, the demon demands a virgin sacrifice each year, on the anniversary of the war, November 2nd, which gives this book its title.
This set up paves our introduction to the two main characters. Suzie, who is a ‘nice girl’ and cheerleader at Chatham High, and Amos, a ‘nerd’ who secretly has fallen for Suzie. This is their senior year, over twenty years since Moloch took over and the sacrifices began. As a nice girl, Suzie has the chance to be chosen on the night of her Senior Prom as the next virgin Moloch takes, while all Amos wants to do is moon over a girl he can never have. Despite their differences, the two make a connection and along with some of their friends and some other members of their community, will try and stop the cycle of sacrifice and demon worship that has cursed their suburban paradise for far too many years.
The story is certainly creative, with a town somewhat frozen in time. It is the mid-eighties when it takes place, but without any technological advancements, the town is reliant on horse-drawn carriages, farming, and slave labor from outside the wall Moloch has put up. Muties, or mutants, are brought in by the small army Chatham’s Forge has formed, when they go out into the wastelands. The high school, and the town by extension, has crafted a caste system, where you are assigned a rank once you enter high school. So ‘nice girls’ are allowed to date ‘jocks’ but never ‘nerds’. There are also ‘jesters’, ‘punks’, and ‘sluts’. And instead of a traditional bible-belting preacher spreading the word of God, everyone worships Moloch. The demon protects the town through his human servant, Pastor Justin, who exacts punishment on the faithless and disloyal. The parallels between religious zealots of our day, whose devotion to their god goes as far as to sacrifice and kill for that deity, and these Moloch worshipers, are pretty straight forward.
Told in first person, the story switches between Suzie and Amos through most of the story, with later additions coming from their friends and other townsfolk introduced throughout the book. Some of the timelines are a bit out of whack, especially in the final pages of the tale, but they all come together in the end. The story runs through Suzie and Amos’s senior year and the months that follow their prom up to All Soul’s Day in November.
The story was very creative and extremely fresh. If I have to point out a gripe, it had to do with Amos’s character, who does gain a bit of redemption here and there for being picked on as a nerd, but struck me as an incessant whiner and despite some of his actions, a major wimp. The caste system created by the community exaggerates the stereotypes most of us experience in high school. So despite the fact that Amos doesn’t need glasses to see, he is required to wear prototypical nerd glasses and the predictable nerd attire. The abuse heaped upon him is almost ritualistic and both his fellow students and teachers participate in the fun. The author has done a great job of fleshing out the caste system and having virtually everyone who never experienced the world prior to the Nuclear War that started the reign of Moloch accept their caste almost without question. Still, as much as I can appreciate Suzie’s determination to revolt both in mind and body against being a nice girl and the horrors that Chatham’s Forge has to offer, Amos perpetuates his stereotype and yet still stumbles into almost everything good that happens to him despite his cowardice and incompetence. If they had an ‘emo’ caste, he would be its leader. Still, you can’t help yourself in rooting for him, Suzie, and their friends whose desire is to either escape, or annihilate their little slice of hell on earth.
All Soul’s Day is the first book in The Days of Ascension series by the author, and while we aren’t quite left with a cliffhanger, it comes pretty close. The author has created an intriguing world and it should be interesting to see what is out beyond the borders of Chatham’s Forge.
Beneath The Mask is a recreation of a prior Stephen North story, a re-envisioning of his first book with the same title. Sergeant Alex Cray of the Florida National Guard is dealing with what appears to be a biological attack on the Tampa Bay area. He and the rest of the soldiers facing the situation have seen people dying from some sort of plague that leaves them with sores on their faces and a homicidal streak that borders on madness. It is clear that this situation is spreading to other parts of the country and globe and even more shocking, it is perhaps coming from something beyond our world.
Strange events unfold with little explanation around Alex. While the citizens in the area are desperate to survive, there are others who appear in the area that look human, though they seem transformed and almost alien in their physical perfection. Sergeant Cray is forced to kill to defend himself and the various people he comes into contact with that he feels are worth saving as things continue to deteriorate around him. At first he fears the plague that has permeated the area and like the rest of the soldiers, is supposed to continue wearing his MOPP suit-the protective bio-containment outfit that prevents airborne viruses from infecting you. But it doesn’t take him long to realize that life behind the mask is no longer worth living. After stripping his containment suit, Alex is forced to continue stripping away other masks that civilization has put in place for him. He puzzles over the deterioration of his and others humanity while seeking answers as to what the truth is behind the strange people and strange vessels that have arrived in the area that look like nothing anyone on earth could have created.
Beneath The Mask has been transformed from a traditional first day apocalyptic tale of survival into a story that combines elements of this and that of a futuristic thriller. The author wrote another story, The Drifter, which had a noir/Blade Runner type flavor to it, though it mostly takes place elsewhere and else when and there are hints here that these two sagas will be tied together in a series of adventures, as elements from the second book have bled through here, in Beneath The Mask.
Stephen North’s writing preference is typically first person, present tense, and this story is written in this format. While there are some challenges with this style, because the reader can only see what Alex sees and hears in each instance, it steeps you in the moment, dealing with everything the main character faces with no additional time to react. There is no time to debate whether to pull the trigger or to leave someone for dead when things are constantly shifting and moving all around you. The story is not driven by one particular objective, although Alex’s instant to instant reactions are shaped by the strange realities he has discovered and must come to grips with, which drives him to focus on certain objectives-most of which have to do with staying alive. His alliances are also driven by gut instinct and the desire to retain a kernel of humanity within him, even while he is forced to do mostly unspeakable things to keep himself and those he cares for alive.
The author has created the start of a rollicking adventure tale that has the potential to transcend timelines and realities. Alex does seem almost too reactionary in this story-pulled by outside forces in different directions on a constant basis, rather than focusing on anything beyond moment to moment survival. Of course, the author puts a steady flow of roadblocks in front of him to provide him with all sorts of adventures, but he is almost philosophically detached from one of the only overriding objectives he returns to throughout the book-the desire to see if his parents are still alive. Of course, there are far greater missions for Sergeant Cray to involve himself in, but I would have liked to see him push a little harder in an effort to achieve this objective. Despite this minor concern, the author has created an all-to-human hero that fails as much as he succeeds, still tries to do what is right even when nothing he does seems to matter, and still is able to fight to retain a grip on what makes him human even if at times there seems to be no good reason to do so anymore.
Beneath The Mask can be found here: http://www.amazon.com/Beneath-Mask-Drifter-Book-1-ebook/dp/B00QL64P8A/ref=sr_1_3?ie=UTF8&qid=1421418407&sr=8-3&keywords=beneath+the+mask
The Undead Haze is the follow up to the author’s first novel, The Undead Situation, where we were introduced to self-proclaimed sociopath, Cyrus V. Sinclair. Cyrus is the narrator here, as he was in the first book, and thus we get to see the world only through his eyes. His claim of being a sociopath are dampened from the get go here, even by his own admission. In reviewing the first novel, I made it clear that it was debatable whether he was truly a sociopath. But since the story is told by the main character, we only have his proclamation to go by as to whether it is true or not.
Here, it becomes clear that Cyrus’s feelings for Blaze, the woman he lost track of before the end of the first book, don’t jive with that of a true sociopath. It is more likely that Blaze is closer to a text book definition of sociopath, at least based on how she acted and reacted to others, including Cyrus, the first book. The majority of this novel is spent with Cyrus wanting to find Blaze because of the feelings he has developed for her. Naturally, because of the state the world is in, there are some tremendous perils brought on by both the living and the dead. Cyrus crosses paths with someone who has the potential to help him find Blaze, if she is still alive, though he will have to go through hell on earth in the process.
Much of the criticism I saw in reviews of the first novel were due to Cyrus’s proclamation that he was a sociopath when there were aspects of his personality that left that up for debate. Much of the criticism I have seen in reviews of this novel are due to the fact that Cyrus shows far more vulnerability and humanity than a sociopath ever would. He works hard to convince himself that he has no need for others, that he is still using them, and is purposefully callous on occasion, but he shows far more fear, a willingness to open himself up to others, and more of a desire to help others than ever before. Again, since both stories are told in first person, all the reader has to go on is Cyrus’s proclamations about himself, rather than based on any truth that may have been revealed had his story been told in third person. The only thing for certain is that Cyrus V. Sinclair is a bit more complicated than a one word description of his personality type.
The Undead Haze, is in some ways a more complicated story, like its protagonist has become, than the one found in the first book. Cyrus is forced further and further outside his comfort zone. He is beaten and bloodied for long stretches of this tale. He’s weak, vulnerable, and at the mercy of others who he must rely upon. He is obsessed with another person, feeling something akin to love, which becomes the driving force in his life. This is what drives this story and will likely determine whether a reader likes this book more, or less than the first one. Cyrus is still, for the most part, a disagreeable character, but one who is far more human than before. He questions whether or not what he seems to becoming is who he truly is, rather than the sociopath he believed himself to be in the past.
Naturally, this is a character driven story, with the events that unfold on its pages being secondary to how Cyrus experiences them. There are traditional zombie slow movers with a mix of fast movers (those that have recently turned) which are one threat to Cyrus, but they are not the worst danger for him. It the human dangers that are far worse.
The author’s writing has gotten sharper and she has nurtured Cyrus into something far more complex than the one dimensional, smug jerk he was in the first book. While in many ways he is still irredeemable, he has expanded greatly beyond what he was to begin with in this book. It will be interesting to see where he ends up going in the third act of his saga.
The Undead Haze can be found here: http://www.amazon.com/Undead-Haze-Situation-Book-Volume/dp/1618680730/ref=tmm_pap_title_0?ie=UTF8&qid=1420788356&sr=1-2
The Tether. The name drums up an image of something that holds you in place, latches on to you, and links you to others that are also connected in a similar fashion. The Tether in The Phone Company is the name of the latest mobile device being offered by the eponymous organization to their customers. PCo, for short, didn’t make the Tether, but they have taken full advantage of its endless capabilities as a device to connect everyone to each other. Just sign up, get connected, and work to become one of the Top 12 of the PCo family. Its aps are remarkable, giving its customers almost magic-like abilities to peak into the world of their neighbors, to control machinery, and to retrieve virtually any information instantaneously.
PCo has set up shop in Cracked Rock, Montana, building a data center on the cemetery where the town founders have been buried. While there are protests about what they have done, most of the citizens are too excited about the free phones being offered to students and other members of the community to have a problem with it. Cracked Rock is a town that is hurting. Several years earlier a boy went on a shooting spree at the local middle school, tearing the town apart. While this was happening, Steve, one of the teachers in the high school, avoided his kids being victims because they were facing another nightmare at the local hospital: the death of Janice, his wife, due to lung cancer.
Steve and Bill, his best friend and a deputy sheriff in town, are about the only two members of the community not thrilled with the new Tethers and the increased presence of PCo. Both are given free Tethers as public servants, but Steve would rather stick with his old phone that both he and his wife used years before and Bill isn’t interested in agreeing to the background check the Tether requires to grant him access to all the neat law enforcement tools it has to offer.
It doesn’t take long for this thriller to migrate to more of a supernatural horror, with strange events occurring all around town. It seems that everyone is discovering unique aps on their phones, like JJ, Steve’s son, who discovers he can inhabit the bodies of soldiers and rebels doing battle in a variety of wars across the globe. Sarah, Steve’s daughter, realizes she has a popularity ap that not only gauges her popularity against the other girls in her high school, it also provides guidance on what she can do to claw her way to the top of the list.
If you have read the author’s previous work, The Pen Name, it becomes clear very quickly that both these tales inhabit the same eerie world. The mysterious publishing company from the first book pays a brief visit here, and the main character from that tale had been laid off from the phone company prior to being sucked into his own mystery. The author’s prior work seemed a bit more subtle as the world around the main character unraveled in bits and pieces. In Cracked Rock, things seem to tumble down the rabbit hole in a more abrupt fashion, though everyone seems fairly happy with the results. The mysterious Provider, who is behind the all-consuming need to be connected, is spoken about with a reverence bordering on religiously zealotry by the faithful.
This story, like its predecessor, has flavors of Lovecraft mixed in with King and begins as a thriller that migrates more into the realm of supernatural horror before the story is complete. The writing is solid though Steve, the main character, doesn’t feel as strongly developed as Ben was in The Pen Name. Perhaps because it felt like Steve didn’t seem to sense what was going wrong all too quickly in the pages of the story. He seems to be more of a passive reactionary to a great deal of what is happening, at least until everything has gone off the rails entirely. He is unhappy, discontented, but slow to engage with Graham, the ever present PCo representative, and all too willing to hope for the best.
Overall, The Phone Company is still a very intriguing story. It pokes and prods at how worthwhile it is to live in a world where we are hyper-connected to one another, where there is an ap for everything and our lives are on display for everyone via social media. We bemoan our loss of privacy and yet cannot look away, or stop contributing to the deluge of information shared with one another. The book takes that in a supernatural direction, turning the need for connection into a religious fervor that devours everyone who submits.
The Phone Company can be found here: http://www.amazon.com/Phone-Company-David-Jacob-Knight/dp/1503361993/ref=tmm_pap_title_0?ie=UTF8&qid=1420306490&sr=8-1
At Hell’s Gates is the initial horror volume in a series anthologies produced with the proceeds going to the Intrepid Fallen Heroes Fund. The overall theme of this series is general horror, but this volume leans heavily on zombie apocalypse related tales from authors with books already out on that subject matter. The stories told here are tied in with their other works, giving a short story that sometimes lies at the periphery of the world they have created or serves as an new slant on characters a reader of those works is already familiar with.
Overall, the work here is solid and the writing entertaining. This book serves more as a sampler platter of various author’s works rather than standalone tales except in a few cases, although little is lost in translation if you hadn’t read any of the books from the author’s bibliography. For example, I have read Stephen Kozeniewski’s work, The Ghoul Archipelago and his short here is based on the world we see in that novel, but I have not read anything from Stevie Kopas, but her tale of murder and insanity stands on its own quite well, though it is a part of a bigger world the author has created in her novels. The only criticism I have of the layout of this work, at least in the e-version, is that the introduction of the authors comes after the stories, when the ‘teaser’ description of the story and how it relates to their greater works should have come prior to each tale. A minor quibble, but one worth mentioning.
Anthologies are always a mixed bag, and some stories grab you more than others. That is inevitable with such a wide assortment of writing styles, authors, and story types, and such was the case here. I didn’t dislike any of the stories, but a few stood out and will remain with me for quite some time. The aforementioned author’s tales fall into that group, as well as stories by Paul Mannering, Tim Marquiz, Frank Tayell, and Jacqueline Druga. Their stories made the leap from the page into my imagine more so than any of the others. Of course, anyone who enjoys a good zompoc tale will likely find a good primer for a larger series of books by various authors to check out-with traditional slow moving zombies as well as infected and fast moving, talking zombies being found within these pages. And while some of these stories weren’t as compelling as standalones, they did intrigue me enough to perhaps take a closer look at the bigger stories being told.
With future volumes having specific themes, it is more than likely that the stories will be standalone tales of horror rather than shorts tied into a larger saga as was the case here. This is a solid start to a promising anthology series with the proceeds going to a very worthy cause.
At Hell’s Gates can be found here: http://www.amazon.com/At-Hells-Gates-Volume-One/dp/150254539X/ref=cm_cr_pr_product_top