I shared not too long ago that a short story of mine had been sitting in limbo for years. Originally intended for an anthology that was never published, it went through several gyrations with other potential homes and publishers. Long story short, my self-help guide for the Apocalyptically-challenged has arrived and appears in the “Zombies Galore” anthology, just released this week by Knightwatch Press. It appears with several other tales of zombie goodness that are definitely worth checking out for those who craving for the undead is only equaled by the undead’s craving for living flesh. Well, and even those who aren’t quite that hungry. My contribution is a guide book rather than a short story, though it will regale the reader with exciting bits and pieces of stories of survivors who learned how to cope with both the flesheaters and warmbloods who tend to make themselves pests during the end days. So go on an check it out. I have posted two cover images below, because there are separate links for the kindle and paperback versions of this book. Just click on one or the other and it will shoot you over to Amazon where you can acquire this wondrous tome of zombie gory-goodness and guidance through the treacherous parts of the undead apocalypse. And here is a list of the contributors so you can see what you are in for:
- “Monday Matinee Madness” by H.G. Bleackley
- “Cinnamon Road” by A.A. Garrison
- “Son of Anubis” by Christian A. Larsen
- “The Seven Habits of Highly Successful Zombie Slayers” by Patrick D’Orazio
- “Pascal’s Wager” by David Johnson
- “Birthday Boy” by T. Fox Dunham
- “The Palace of Dead Rock Stars” by Theresa Derwin
- “Road Whore” by Timothy Frasier
- “Fire Team” by Al Halsey
- “The Dripping Nose That Wouldn’t Wipe” by James S. Dorr
- “The Last Line of Defence” by J.S. Lawhead
- “So They Ain’t Yankees” by Melanie Browne
- “Life Sentience” by Kaye Inglis
- “The Chicken in Black” by Nathan Robinson
- “Zombie: Death Day” by Johnny Andrews
- “Hungry” by Nicci Murphy
So give it a try. I think you’ll come back for seconds.
The King of Clayfield introduces us to a man who is the curator of a small museum in the town of Clayfield, Kentucky the day the Canton B virus comes to town. The virus essentially fries the brain of people affected by it, turning them into what amounts to zombies. But unlike most zombie apocalypse tales, the author made this plague a bit more varied with the effects of infection. It is airborne, which means that if you are near someone who is infected you can also become infected regardless of bites. An odd way to combat the potential infection is by drinking alcohol. It seems to prevent the virus from taking hold of your brain if you get intoxicated. There are different stages to the infection, with those who die from it coming back and acting more like traditional zombies. Those who are initially infected behave like they are somewhat human, with sexual urges and established pecking orders-they are primitive and violent, but definitely not undead cannibals. Those who die behave more like the traditional undead we are more familiar with. Getting bit doesn’t seem to insure death, though it is uncertain whether anyone who dies, regardless of the cause, returns. It was certainly an interesting, a complex set of variables that the author introduces.
The story is told in first person and the narrator makes it clear how unprepared he is to survive during the course of the book. In fact, it is a running theme-from the first survivor he meets to everything he goes through, it is a reminder of how little those of us used to modern conveniences know about growing food, staying warm, getting water, hunting, and defending ourselves. He even jokes that he should collect someone who is Amish on a supply run so they can teach him how to function in a society without electricity and running water. The narrator meets up with several other survivors in his trek through his hometown and surrounding area, including a woman he went to high school with who becomes his closest companion as they face down challenges from both the living and the undead. They search houses, collect supplies, deal with other survivors both friend and foe, all as they are focused on sticking to Clayfield rather than trying to find another place deep in the countryside to hide out from the growing population of the infected and undead.
The characters, for the most part, seem believable. The main character comes across as somewhat passive at first and while he is forced to toughen up, he seems to acquiesce to the wishes of Jen, his newfound friend, for most of the story. Jen was not a very likable character. She is territorial and pushy, and the narrator seems to accept this as a matter of course, even when she does her best to push away Sara, a younger survivor who they find and that Jen perceives as a threat to her place in their small group. Jen is erratic and foolish at times, taking risks that are plain stupid.
The story is an easy read and again, the characters are believable-reacting in ways that are plausible given their dire circumstances. They were a mixed bag though, and no one leaving me with the urge to root for them. Some of the minor characters, like Brian, were interesting, but weren’t along for most of the ride. Jen is incredibly annoying, and how the main character responds to her more annoying still, but this isn’t to say it isn’t completely plausible. The author does an excellent job making them plausible characters, just not altogether likable. There are two sequels, so the main character, who ranges from timid to rash in his thinking and acting may become someone who I can root for in those novels.
The King of Clayfield can be found here: http://smile.amazon.com/King-Clayfield-Shane-Gregory-ebook/dp/B006I9GYZ2/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1409105570
Dead Living by Glenn Bullion starts out as a traditional Day Zero tale with several survivors narrowly escaping a hospital being overrun by the undead. The story skips forward several years a couple of times to re-introduce us to the baby born on that fateful day who has grown into a young man with a special gift. The undead, for some reason, do not realize that he is alive…or at least they have no interest in attacking or eating him. Aaron has survived in the midst of the undead, in Baltimore, which is crawling with them, for many years after everyone he knew was lost to him. As an adult he manages to cross paths with Samantha, another survivor who was abandoned on a supply run into the city by the rest of her team when she got separated from them. Samantha is aloof, cold, and distrusts just about everyone, but after Aaron saves her she feels compelled to do the same for him and invites him back to the small community she resides in a good distance from the city.
As the two new-worlders of the zombie apocalypse get to know one another they grow attached, though Aaron feels the need to maintain his secret talent from Samantha, for fear that she and the others in her community will think of him as a freak. But his ability grants him the capability to wander freely amongst the dead, and that is a talent that his newfound group of friends are going to need to survive both the undead and the living, who, as always, are the real threat to survival.
Dead Living was an easy read and took an interesting idea of the undead being indifferent to someone and ran with it. Aaron’s gift gives him a tremendous advantage and his burgeoning relationship with Samantha has given him a reason to use it for more than just a way to hide away from the rest of the living, but to also help others. The author adds another undead tidbit with the ‘thinkers’, who are the rare but very dangerous undead that can figure out simple things, like how to maneuver objects or turn doorknobs to get access to the living. Naturally, the undead are an overriding threat (and when a thinker is around, they are doubly dangerous), but it is the living, including slavers who roam the wastelands looking for weak survivors to capture, that are the most dangerous element of Aaron and Sam’s world.
The story does require a good deal of suspension of disbelief, especially when it comes to certain technologies that still work over two decades after the world has collapsed. While it might be plausible that someone, somewhere is making bullets and producing gasoline, it seemed a bit of a stretch that there are still stores of such commodities still being found on scavenging runs. It felt at times that the world was more like two to three years down the road from the first undead attacks rather than twenty three with what has come to pass for everyone still around.
The relationship between the main characters is well developed and their newfound relationship is well paced, though Aaron’s fascination and thoughts about how beautiful Samantha was got a bit repetitive after a while. For the most part, their growing affection for one another didn’t feel forced or uncomfortable though-it had a very natural appeal.
The zombie gore is kept to a minimum in the story and instead the focus is on the challenges Aaron and Sam have in both relating to each other and to the world around them. Aaron’s secret keeps things interesting, but Sam’s slow willingness to become more vulnerable around Aaron also keeps the story moving in the right direction. Overall, a fast, entertaining read that will appeal to those who enjoy the human dynamic more than a heavy dose of zombie gore in their apocalyptic fiction.
Several years ago a good friend of mine over at the now defunct Library of the Living Dead Press was looking to create survival guide that would be chock full of semi-serious and totally comedic advice on surviving the zombie apocalypse. I decided that it would be my responsibility to create a guide that would be the end all of self-help zombie slaying manuals. So in plagaristic fashion, I decided to swipe from one of the best known self-help guides available to create my very own “The Seven Habits of Highly Successful Zombie Slayers” replete with cited examples of said successful zombie slayers personal tales of victory over the undead. This wasn’t so much a short story as a down and dirty guide to not only zombie slaughter, but how to live high on the hog during the apocalypse.
Unfortunately, the tome that this wondrous guide was supposed to be a part of never was published and as such my guide book sat dormant for several years. Then some other good friends of mine who had published “Zombies Gone Wild” (which one of my shorts of a more comical sort appeared in entitled “What’s Eating You?” about zombies with eating disorders) wanted to create a follow up to that delightful little anthology. Unfortunately, that particular antho was shelved as well, leading me to believe that fate, or some giant zombie loving super being was doing their super mightiest to prevent my guide from ever seeing the light of day.
But fear not! “Zombies Gone Wild, Part 2” has been transformed into “Zombies Galore” and is being published by Nightwatch Press. In fact, it is getting a big unveiling on August 30th. Now I can’t attend this unveiling, but rest assured that I will be sharing more information on where you can find this delightful book that will be filled with my helpful guide as well as many other exciting tales of zombie gore and glamour. So stay tuned. But for now, check out this announcement to whet your appetite: http://exlibrislarsen.com/2014/08/20/zombies-galore-anthology-launch-set-for-august-30-in-walsall/
We With Daisies Lie is a short story/novella about one man’s journey during the first few days and months of the zombie apocalypse. Told in first person, it sticks with tradition, bringing nothing new to the table as far as the undead are concerned. Whether you get bit or not, when you die you turn and the undead are slow moving. The main character meets up almost immediately after the dead start to turn with a group of three younger kids led by a bully. They search for places to survive and they overcome several incidents with the dead while dealing with turmoil within the group. The living continue to be a major threat later in the story as the character grows stronger and more equipped to handle himself with the undead. With new friends in tow, he tries to lead them to his grandparent’s farm and the fallout shelter they had made during the cold war, which is filled with enough supplies to last them several months.
The author makes a solid attempt at developing his small group of characters, though the length of this tale does limit most of them from being more than archetypes. The main character and Emily, the girl he grows attached to, are the most fleshed out. There were some good components to this tale, including the brief conversation the main character has with an ex-girlfriend on the phone after things go haywire. She is surrounded by the undead in her sky rise apartment in New York City with no way to escape. The blunt suggestion the main character makes was startling but at the same time made all the sense in the world. Emily’s work on a poem was a nice touch as well. There was also something that stretched believability related to an incident surrounding a stab wound to the gut. I won’t provide further details, but suffice it to say it was a stretch buying what happens. Otherwise, the story is a pretty straightforward analysis of how people cope with unbelievably horrible circumstances and what they must become to survive. There were some typos and missed words here and there-the story could have done with another editing run through, but overall, it is a quick read with definite entertainment value. The author shows solid promise here and I look forward to checking out his other works.
We With Daisies Lie can be found here: http://www.amazon.com/We-Daisies-Lie-Matheus-Macedo-ebook/dp/B00M4M32IY/ref=sr_1_1?ie=UTF8&qid=1408377720&sr=8-1&keywords=we+with+daisies+lie
Billy and the Clonesaurus tells the tale of William 790-6, a clone who lives in a town filled with other William clones, in a world filled with even more William clones. As with every other William clone, he is to be slurried, or decommissioned, on his first birthday, and replaced by the next iteration. When an accident happens at the slurrying plant with William 789 and 790 is given another day to live, he spends it with his replacement and starts to resent the idea of his imminent departure. Happenstance allows him to once again escape being decommissioned when his new iteration is tossed into the ‘whirling blades of death’ that are used to slurry clones instead of him and he is free to live for another year. But Will, as he and every other clone call each other, finds himself a bit more curious than the average Will about the world surrounding him and the reasons every other Will does what they do for the corporation that controls everything. 790 sells dental insurance, and every other Will does everything necessary to make life possible for everyone else in town. There are Wills who pick up the trash, there are Wills who run the gas stations, etc. They hang out in their off hours drinking the same beer in the same pubs, watching the same Rugby games every weekend. They are all the same level of docile worker doing whatever needs to be done to make the company profitable, and they have no reason to question why there are no animals and no one else left on the planet but other Wills, like themselves. But 790 is starting to get curious, and after hearing another Will talk about a delivery run to another town and spotting something off in the distance on the side of the road that looks like a windmill, he feels the urge to check out this anomaly and see what is going on beyond his guarded, safe existence. This leads 790 on a journey of self-discovery-learning why clones exist, why it appears that the exact same events are reported on at the same time every year, and what might have come before they came into existence.
Billy and the Clonesaurus is a dark comedy that tasted a bit like the movie Brazil in its own demented way. It is grim future that 790 lives in, and as William 790 starts to call himself Billy as a form of minor rebellion against the status quo, he begins to realize the depths of the mystery surrounding him and the rest of the Wills of the world, or so he believes. Escaping the town he lives in is only the beginning. Beyond that, he has several shocking revelations and dreams of something better…something approaching freedom, not only for himself, but for every other William.
While it may be hard not to laugh at the idea of such an obscene world, the thoughts of something like this occurring are also cringe-worthy and provide for good nightmare fuel. As more layers of the deceit that have been heaped on 790 and the rest of the clones are peeled back, there are plenty of reasons to feel both revulsion and depression, because while the world that Billy lives in is filled with clones, the depths of the depravity he faces is very much a human characteristic.
I’ve read the authors other works, both of which dealt with the undead. While this story shares little with those other books, it has the same razor sharp edges to it that don’t show very much remorse when you get cut by them. This is a trip into the Twilight Zone with a nod to the Simpsons with the story’s title. It’s probably not a tale easily digested by everyone, but one worth checking out if you like your futures grim, dark, and yet surreal and just a tad bit looney.
Billy and the Clonesaurus can be found here: http://www.amazon.com/Billy-And-Cloneasaurus-Stephen-Kozeniewski/dp/192504789X/ref=tmm_pap_title_0
Romance For Men: Pandora’s Box introduces the reader to the author and main character, Jack Icefloe Jackson, who is, without a doubt, one of the most vile, depraved, wretched human beings ever to exist on this planet. He is also irremediably raunchy, sleazy, and worse than the worse excrement to ever walk upright. With that said, this story of his exploits is satire at its most debase and hilarious. Not meant for the squeamish or anyone with taste, this book explores Jack’s adventures as a newly assigned agent for the United States Government responsible for saving the world. You see, Jack has a unique set of skills that no man has ever had in the history of the universe. Jack is short, fat, bald, and gross. He also has a penchant for throwing dynamite at anyone who annoys him. All this plus the fact that he treats every woman as nothing better than a resting place for one of his, uh, appendages, makes him scum. But his seemingly unnatural talents makes him the one person who can unlock the code to Pandora’s Box, which threatens to destroy the world if left unsatisfied.
Yep, I managed to avoid actually saying anything too offensive in the above paragraph that is even remotely on par with the graphic nature of this book. So let me be clear. This book is sick, disgusting, and with the right frame of mind, hilarious. Jack is a parody of a parody of the concept of men as pigs. This is satire mixed with sarcasm mushed together with huge dollops of parody. Read it with this in mind and you may survive the reading, though chances are you won’t make it out unscarred. You might go blind too, or at the very least suffer from a rash that even the strongest penicillin won’t be able to get rid of.
This is a quick read, laugh out loud funny, although you will probably be far too embarrassed to do so anywhere near anyone of the female persuasion. Letting a woman you love or even remotely care about know you are reading this book might get you banished from nooky-land for the rest of eternity. So my friends, tread carefully when you read this tome of wondrous knowledge. Oh, and make sure you wash your hands after you do so, because you are gonna feel dirty after touching this book…even if you get it on the kindle. You may have to sterilize the device to get it to work again properly.
Romance For Men: Pandora’s Box can be found here: http://www.amazon.com/Romance-For-Men-Pandoras-Volume/dp/0990381315/ref=tmm_pap_title_0?ie=UTF8&qid=1407946592&sr=8-1
Hollow Mountain Dead is not Jonathan Moon’s first foray into the cross-genre mix of western and undead fiction, though I believe it is his first full-fledged novel on the subject. He had a book filled with varied short stories along with a novella that took place in the old west that was a rollicking good horror story, but I can’t quite recall what the name of that book was, though I am certain I reviewed it somewhere back in the mists of time.
Mr. Moon has created quite a few different horror tales as well as dipping into bizzarro and other speculative genres. This story, along with his past story that takes place in the mythical American old west, have a taste of harsh reality to them. The darkness isn’t just within the monsters that pour forth from the gaping hole in the side of a mountain, it is embedded in most of the characters we are exposed to-even in the ones who do their best to become heroic when hell comes for a visit. Only a select few seem redeemable here, though it is clear that most are as human as their harsh environment allows them to be.
A greedy, powerful mining magnate has cracked open a mountain with his crew of toughs and army of Chinese immigrant workers who are treated like slaves. When he digs too deep, an old Indian warns him to stop and turn back, but greed casts a powerful spell on him and that is when, literally, all hell breaks loose. A seeping gas bellowing out from seams within the earth turn those who are exposed to it into flesh eating monsters. But this is not the only menace, because there is something further beneath the earth that is reaching out to those on the mountain, corrupting and luring them into evil.
The undead spread, wiping out a homestead and heading toward one of the two towns that sit on the mountainside while the few who managed to escape wave after wave of undead flee the mining camp. Members of the Madoosk tribe have been tasked with stopping the evil have been preparing for it for ages and are ready for it, but they never expected hundreds of miners would get infected or that the plague with spread so fast.
The story moves at a fast pace and there are a multitude of characters. While there are some flashbacks, much of the story is told with the urgency of present tense. The undead are somewhat traditional in their tactics and how they spread, though the supernatural bent here brings some new elements to the table, including new ways to kill the undead that the Madoosk reveal.
As I mentioned, there are a great many characters on display, though that narrows to the select few who are tasked with defeating the undead after the first few waves of carnage pass. There is plenty of gore for those who love that aspect of the zombie genre. The feel of the old west is palpable on each page. Many characters die, both throwaway and those more central to the plot, most in very brutal ways. Again, there probably only a select few characters that most people will like or identify with because of who they were prior to the undead invasion, though a small few will grow on you. Historically, Mr. Moon has been pretty relentless with his horror fiction, with no apologies for the slaughter and sprays of blood and gristle that oozes and spills forth from his pages. This book is no exception to that rule. Not that there is anything wrong with that.
In the end, a door is left open for more Hollow Mountain Dead with the ending of this tale. This book was brutal, relentless, and vicious, and I am looking forward to checking out what comes next.
Hollow Mountain Dead can be found here: http://www.amazon.com/Hollow-Mountain-Dead-Jonathan-Moon-ebook/dp/B00LLPU8YG/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=8-1&qid=1407427523