The Sanguinarian Id introduces us to Hael, a child found abandoned and left for dead in the woods outside of an asylum in England in the late 1800s. Taken in by the doctors there, they are fascinated by this little girl who remembers little of her past and appears to be supernaturally resilient and strong. They search for but fail to find anyone who knows who she is, which is completely satisfactory to Dr. Strauss and especially Dr. Mendelson, who run the asylum. They have spent much of their time experimenting and torturing their mostly female patients and have devious plans for Hael as well.
This story combines elements of gothic horror with a journey of self-discovery. Hael doesn’t truly understand what she is, but begins to grasp the truth while doing her best to escape her nightmare existence. Despite her efforts to escape the clutches of the mysterious and purely evil Mendelson, it appears that their destinies are firmly intertwined long term.
The first part of the book takes place in Hael’s childhood years, and the author has given it a strong flavor of gothic horror like we get from the classics of the era: Dracula and Frankenstein. The latter half of the book leaps forward a half century when we are thrust into the middle of World War II Germany, where Hael continues her lifelong quest for redemption and revenge.
The story is intriguing, pulling us deeper into the dark underworld Hael both lives in and tries to make sense of-she has been abused, beaten, terrorized, and violated throughout her life. In turn, she has worked to extract revenge on those who have done this to her and those she cares for, while trying to find some sense of self. She lives both in the real world painted black with despair and misery the Nazi’s have unleashed, and in the supernatural world-a world filled with pure blood and half-blood vampires and other monsters far worse.
This is the author’s first novel and in many ways is an impressive bit of storytelling, especially for someone who is barely into adulthood. The depth of research and understanding it must have taken to develop this world and underworld filled with supernatural characters and creatures must have been substantial. The author has developed a vibrant, bloody, dark, grim world and a character that successfully manages to give the reader someone to both respect and care for, while also fearing them and the dark acts they are capable of doing.
There is a fair bit of tell vs. show in this story and the dialog, at points, is a bit awkward. The main character’s use of the word “bitch” on multiple occasions as an insult to her male enemies in the World War II era felt a bit out of place, though that is a minor complaint. There are some awkward turns of phrase here and there while some of the story transitions are abrupt. We go from knowing little to nothing about the monsters that inhabit this world early on in the story, to Kael having extensive knowledge of them later on. We did not get to join her on that journey of discovery and it felt a bit like an opportunity lost.
Despite these quibbles, this is a strong first entry in this potential series of books and a very promising start to the career of the author, who will continue to refine her writing style and sharpen the dialog with the more stories she creates. Her foundation in storytelling is solid and I look forward to seeing more from L.M. Labat in the future.
The Sanguinarian Id can be found here: https://www.amazon.com/Sanguinarian-Id-L-M-Labat/dp/1937769445/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=
Dead Tide Rage continues the saga Stephen A. North started with Dead Tide back in 2008. This is the fourth installment in the series, which tells the stories of a wide assortment of folks in the days following the start of the zombie apocalypse in the Tampa Bay area. There is no telling if this is the actual end of the road for the saga-while some characters disappear from the tale here (and have been doing so since the first book), there continues to plenty more to carry things forward. This isn’t any sort of spoiler. The author has never pulled his punches when it comes to the fate of those who inhabit the pages in this series. And of course, if you are reading this review and haven’t checked out any of the prior installments, I would suggest you start with Dead Tide, or DTR won’t make a huge amount of sense.
The author changed the tense with the third installment of this series to past vs. present and he sticks with past tense with DTR. Regardless of the tense used, there is an immediacy found in each book of the series-things move at a fast clip. You are in deep in the action, regardless of what character’s perspective you are subjected to in that moment. Many of them are familiar by now, but there are a few new additions to the cast. If it has been a while since you’ve read Dead Tide Surge (the third book), the author has provided a dramatis personae at the beginning of the book as a quick refresh. Keeping up with everybody can get a bit confusing, but if you have made it this far, you likely have a good handle on who is who. There are plenty of folks that have survived long enough that you probably have your favorites, and the ones you are hoping die an ugly and brutal death. It should be noted, there is plenty of diversity-women, men, and children of different races and socio-economic classes, coming together or falling apart on a daily (and hourly basis) regardless of who they were before the zombies rose. No one comes away clean in this tale. Of course, this means the story isn’t locked into any single group’s survival-there really are no permanent groupings anyway-things change far too quickly and the ensemble cast drifts on and off each other’s radar unless they make a conscious effort to stick together…and even that doesn’t work out all that well too often.
The reality of a review of a fourth book in a series is that you, the reader, likely have made up your mind about this series by now and you are reading this because you want to see if this book matches up well with the others that came before. My answer to that is yes-this book fits seamlessly with the others, like a new puzzle piece. Again, there is no telling if the puzzle is complete-the outer edges aren’t quite straight. I almost feel as though the author could call it a day with this book or write four more books in the series if he chooses. As with most apocalyptic tales, the idea of a happy ending is pretty subjective. Orson Welles once said “If you want a happy ending that depends, of course, on where you stop your story.” I’m not sure Stephen A. North has decided where to end his story, or if he is all that interested in a happy ending for his characters. But the ride, so far, has been a pretty interesting one.
You can find Dead Tide Rage here: https://www.amazon.com/Dead-Tide-Rage-Stephen-North-ebook/dp/B073HR3TFL/ref=la_B002K8VVMG_1_1?s=books&ie=UTF8&qid=1499300622&sr=1-1