Review of Jim LaVigne’s “Plaguesville, USA”
Plaguesville, USA tells a tale set in a world several years after much of the human population has been wiped out by a lethal virus. The timeframe is in the late 2070′s, and much of the United States has turned into a desecrated land filled with survies, as they are called: gangs, small fiefdoms, cannibals, mutants, and a few people trying to maintain some sense of civilization. We are introduced to Dr. Justin Kaes, an epidemiologist from the CDC in New Atlanta who has found himself in charge of a mission to prevent the “Sick,” as the plague has been dubbed, from reinventing itself and destroying what is left of the meager human population. He has been sent to collect the one man who has survived the original iteration of the plague and whose blood might help them create a vaccine for whatever new iterations may come about. He is Howard Lampert, a crusty, cranky old man of 102 who lives in Minnesota. The story picks up after Justin and his team have picked up Mr. Lampert and are on their way to San Francisco, where there are doctors waiting who have the resources to craft the potential vaccine. The doctor and his team’s massive RV has run out of fuel down in Oklahoma, where they are surrounded by gangs and religious zealots who also happen to be cannibals. We are introduced to Teresa, a member of one of the local gangs, who’s interested in hitting the bricks because she has grown weary of the Blood Claws (not to mention that more than one member of the gang has tried to rape her). She crosses paths with Justin as he and the others are trying to figure out what to do to keep moving west and the duo form an unlikely partnership. The story tells of their adventures, which include an onslaught of virtually every post-apocalyptic danger imaginable, except perhaps for zombies, as they try to complete an almost impossible mission.
Plaguesville gives the reader a thoroughly realized post-apocalyptic world that isn’t set in our time, but over a half a century in the future. Each chapter provides a nice little beginning blurb giving the reader a small taste of the world before the fall, with advertisements about the food, entertainment, and culture that adds additional flavor to the story. As readers will note, this tale has an interesting arrangement with the characters. Justin is the main character and we see the world through his eyes in many ways, but as Mr. Lampert comes from our day and age (he would be around 38 right now), it is easy to identify with him and his perspective on a bombed out, shell shocked world of plague and Mad Max sensibilities. Justin is a doctor on a mission who finds himself attracted to the barbaric and yet incredibly enticing Teresa, and Mr. Lampert brings an old fashion sensibility to the story that is entertaining and somewhat humorous in spots, while getting dark and gruesome in others. While Justin the voice of ethics and morality in a world with very little of such things, Lampert is the grumpy voice of reason and sanity in a world gone mad.
The story runs its cast through several different adventures-they meet the good, the bad, and the ugly that remain in the world, and there are quite a few secondary characters’ stories told that intertwine with the main cast as the tale runs toward its completion. Again, the author has done a good job of laying out a detailed post-apocalyptic world and gives us a saga with plenty of action and adventure. Time and again, Justin’s mission is on the brink of oblivion, but he continues to maintain hope and believe that as long as Lampert remains alive they can resolve things. In some ways, it felt like there were almost too many near misses in the story, but it kept things moving at a fast clip. Overall, this was a fun read, with a few gentle messages that weren’t too heavy-handed about corruption, craving for power, and man’s undeniable lust to cause his own destruction. The growing attraction between Justin and Teresa is handled with a deft hand that made it feel believable and touching, despite the fact that these two people were worlds apart in so many ways. If I have a criticism of this book, it would perhaps be that the story does not feel complete. We are only introduced to the CDC team once they’ve broken down in Oklahoma and not when they set out from Atlanta, pick up Mr. Lampert, and make their way through so many other adventures leading up to that point. Granted, the book is already a healthy 350 pages, but I felt as if there were more stories to be told. Even with this minor complaint, this is an entertaining and robust post-apocalyptic tale with entertaining characters and a setting that was quite compelling.
Plaguesville, USA can be found here: http://www.amazon.com/Plaguesville-USA-ebook/dp/B0078FN0RA/ref=sr_1_1?ie=UTF8&qid=1336273247&sr=8-1
Review of Sean Schubert’s “Infection: Alaskan Undead Apocalypse”
Infection: Alaskan Undead Apocalypse takes place mainly in Anchorage, and begins with a family of tourists from Minnesota who are traveling to Alaska on vacation. The younger boy, Martin, has brought along a friend, Danny, and the family plans on spending time out in the woods at a cabin near a glacier. Almost immediately upon arrival at the cabin, Martin, his sister Jules, and Danny discover what appears to be a dead body stuck in the melting glacier. Thinking it is a caveman, they pose next to it, taking pictures. When the caveman turns out to be a thawed zombie, and Martin gets bitten, the family races back to Anchorage to a hospital as Martin’s health rapidly deteriorates. All hell breaks loose when the boy ends up dying in the hospital, gets back up, and attacks everyone around him.
Things rapidly spin out of control from there, with a plague of undead spilling outside the walls of the hospital and onto the streets of Anchorage. Within a matter of hours, the entire city is under siege by a horde of fast moving undead devouring and infecting everyone in their path.
Throughout the course of this book, the first in a planned trilogy, we are introduced to the people that make up two main groups of survivors. One group is led by Dr. Caldwell, who was treating Martin at the hospital, and the other lead by Neil, an office worker who witnesses one of the first zombie attacks outside of the hospital (and the two surviving children-Jules and Danny-end up with him as well). The pages telling the story of these characters are intermingled with various graphic scenes of carnage as Anchorage is ripped to shreds and the police and military are unable to do much to stop the tide of death rushing over them.
Infection: Alaskan Undead Apocalypse is a fun, fast-paced tale of zombie mayhem that barely gives you time to breath, and zombie fans who crave plenty of gore and undead action should enjoy it. The main characters are well developed and give the reader a few folks to root for as well as one in particular to loathe, which keeps things interesting from start to finish.
As I always try to do, I point out areas of concern with a story, and I have a couple of them with Infection.
The first is a minor point, but one that I feel deserves mentioning. Alaska appears in the title of the book, and as such, I expected this story to bring some unique elements to the table based on the locale. Unfortunately, while the author knows Anchorage like the back of his hand, the city felt no different than any other place on the map. Perhaps the sequels will insert more of the distinctive ‘flavor’ of Alaska in them that will make this story stand out more.
My second issue has to do with one particular character, a police officer. I felt that he would have been far more intriguing character if he wasn’t a cop, but I found it hard to buy into him being an officer of the law. From the beginning, he makes no effort to take a leadership role in a crisis situation, letting Dr. Caldwell handle that role in a non-medical crisis. All I know is that if I were trying to flee from the impending apocalypse and I was in a group with a police officer, I would be looking to him for direction, not a doctor (even as you are racing down the halls of a hospital). But strangely enough, no one calls him on this until well into the book, and by then, I was wondering how this guy ever passed whatever psychological test is required to become an Anchorage cop in the first place. Again, he would have been a far more interesting character were he not a cop.
Overall, I felt that this story has the potential to be a solid zombie trilogy. Infection doesn’t really bring anything new to the table-there are no big surprises to be had for zombie fans here-but my hope is that the author turns things up a notch in the sequels to give this story a flavor of the northlands that leaves a lasting impression.
Infection: Alaskan Undead Apocalypse can be found here: http://www.amazon.com/Infection-Alaskan-Apocalypse-Sean-Schubert/dp/1618680161/ref=sr_1_1?s=books&ie=UTF8&qid=1335667874&sr=1-1
Review of Matthew Warner’s “Blood Born”
Blood Born starts out as a horror mystery, where victims of rape in the Washington D.C. area are all impregnated and the gestation period is accelerated to the point where it is forty times faster than normal. In other words, these women will produce a full term baby within one week. The case is being handled by Detective Christina Randall and we are introduced to her and Margaret Connolly, the mother of one of the rape victims, who also happens to be a fertility specialist working for a local fertility clinic that also does genetic research.
As with any mystery, we are given hints and details as to the M.O. of the rapist as the due date on the first few victims draws near and it becomes clear fairly quickly that the rapist is not quite human. The pieces of the puzzle begin to fit together, but then the book took a dramatic change.
This tale becomes an entirely different type of horror novel somewhere between a third and halfway through, where monsters run rampant, annihilating everything in their path. The transition was jarring, to say the least, though I don’t necessarily mean that as a negative. But be forewarned that while the mystery continues to unravel all the way up until the end of this tale, it takes a backseat to the violent and graphic action that dominates the second half of this book.
This story has a flavor of a patient zero type apocalyptic tale, with a significant build-up to the point where all hell breaks loose. When it does break lose, the story turns on the afterburners and blasts ahead at a hundred miles an hour. The author does a solid job working to explain the science behind the beasts in the story, though I was left with plenty more questions about them and how they would co-exist with the rest of the world. That is the challenge with diving into the science of something like this-there are often a lot of questions that are difficult to answer vs. making the creatures in question a complete mystery.
Overall, this is a fast paced book with a lot of surprising deaths and plenty of gruesome action. With rape being a key part of the story, it probably won’t appeal to certain chunk of audience out there, but it is a well written scientific tale of horror. While I was expecting it to be a more subtle mystery throughout, when the gears shifted and story changed from that to an adrenaline fueled nightmare, I was able to adapt my expectations. The author keeps things moving at a good clip throughout and this was an easy and entertaining novel to read. I do sense that there is a distinct possibility of a sequel based on the ending, though this book can definitely be considered a stand-alone tale.
Blood Born can be found here: http://www.amazon.com/Blood-Born-Matthew-Warner/dp/0979234638/ref=sr_1_3?s=books&ie=UTF8&qid=1335452721&sr=1-3
Review of the movie “The Divide”
The Divide is a bare bones apocalyptic tale that starts moments after the world dies. Nuclear bombs have been dropped on Manhattan and several people living in an apartment complex rush to the fallout shelter the super has created in the basement. The Super’s intention was to go it alone, but his tenant’s force their way in as everyone above is dying from the blasts. Almost the entire movie takes place in this shelter with the survivors initially planning on waiting until the radiation has died down before they check things out on the surface. They have food, water, and power, so things seem to be okay at first-the best they can be based on the circumstances-but things begin to erode and there are various struggles for power and control among the characters.
There is a nudge from the outside world as soldiers invade the shelter and disrupt the relative calm early on in the movie. The audience is given little information on these soldiers, what is going on up above, or why they end up doing what they do to the group. The movie’s focus is on the dynamics of the nine people in the shelter and injects external influence only in two small, somewhat confusing doses.
The name of the movie is apropos on several levels. There is the obvious divide between the world above and world within the shelter, the multiple divides that occur with the group as it changes and morphs over the course of the movie, and the divide among viewers of this film on whether it is a realistic portrayal of people trying to survive under nearly unthinkable circumstances or is gratuitous and over the top in many ways.
This movie is a grim, dark, and dank experiment where the characters are put in a box and the audience gets to watch their humanity dissolve. There are power struggles to control resources, trust issues, alliances formed and broken, and the continuous erosion of any sense of civility from start to finish of this film. This story revolves around choices-how far are you willing to go, what depths are you willing to sink to…what will you do not only to survive, but to maintain control over yourself and those around you? It pulls no punches, showing the dark, ugly side of what we all have the potential of becoming under nightmarish conditions.
The Divide is a mixed bag. I can’t say that I bought into the Roseanna Arquette character and her rapid transformation from loving mother to willing rape victim, and some of the other characters were a stretch as far as believability, especially as the tale progressed. I was somewhat confused by the soldiers and why it was necessary to bring them into the story-the influence they had could have been handled by the group, for the most part. I also felt that at two hours run time, the movie could have sliced out about twenty minutes or so and still presented the same tale-it seemed to drag in places. Even with these complaints, the movie drew me in and kept me interested as the characters warped from being normal people to survivors buried deep in a hole and knowing they will never break free of the prison they’re in. It’s not a film that I think I will ever have the urge to watch again, but I will remember it for a long time come.
The Divide can be found here: http://www.amazon.com/The-Divide-Lauren-German/dp/B007549W62/ref=sr_1_3?ie=UTF8&qid=1335307402&sr=8-3
Review of “Rise” by Gareth Wood
Rise was written as a blog online originally and as the author mentions in the prolog, he wrote it as the days passed in 2004-2005 when the story takes place. He paid attention to the weather patterns, studied the environments he was leading his characters through, etc. So essentially, this book was fairly early to the zombie writing party-before the onslaught of books started showing up in places like Amazon and on bookshelves at bookstores. Of course, with its introduction via Permuted Press to a wider audience in 2012, it comes during the thick of things-when journal type tales of the apocalypse have been done on a regular basis over the past six or so years, along with a wide array of other first person and third person zombie sagas. Credit to the author for crafting this piece before so many others had taken a swipe at the genre-I wish I had read it when it had originally come out because I am sure it would have felt truly fresh and new at that time.
Like other journal format tales, this story goes through the daily struggles of a survivor (this time a man named Brian who lives in western Canada) from just before until almost a year after the dead have risen. The journey we are treated to takes us on a wandering path where Brian and his sister meet up with other survivors, avoid the undead, try to gather supplies, avoid other desperate humans, interact with the military, go on rescue missions, and just try to cope with a world turned upside down. Journal writing gives an author an opportunity to detail out all the minor details that many other tales would leave out simply because they tend to focus on the elements that move the story forward at every step of the way. Journals do this too, but the whole idea seems to more or less be focused on giving you a real flavor of how people cope, which requires getting down to the nitty gritty.
Most of my criticisms of this tale would stem from the journal format and not the author’s writing, which is solid and keeps things moving. One of the things that seem almost impossible to do with this format is allowing the reader to get into the moment with the characters on the page. This happens because there is virtually no dialogue-nothing that anchors the action and relationships in the present moment. Almost always, the story is being written a day, or even several days, after the events being chronicled have occurred. This author, like others, tends to announce critical details in the first sentence of every new entry, which allows you to know, in vague terms, what is about to happen on the next few pages of the story, and in the next few days of the lives of the characters. Journal entries lack tension, though they provide you with a detailed picture of events. This is the blessing and the curse of this writing format.
If there was a genuine criticism that I have for this tale, unrelated to the journal format, is the fact that the story seems to carry on beyond its natural ending point through several more adventures of the main character. My guess is that in the original writing of the blog, the author was trying to determine a stopping point and picked one at a place where there is a relative lull in action and perhaps when he grew tired with relating the saga. With that said, the story could have stopped much earlier, or could have carried on for months and even years beyond the point where things are concluded-through the course of the apocalypse. I suppose that is another challenge related to journaling; the days of your life are not set up in neat, tidy condensed tales that will fit perfectly into a book-like story. Instead, it moves on, with different story lines always happening and intertwining at all times. In essence, this story could have gone on for another hundred pages or more, and could have ended fifty plus pages earlier, with the same result.
I don’t intend for my criticism of the journal format to speak as a negative about the authors writing capability-he has written an entertaining story in a format that is challenging, to say the least. It kept me reading from start to finish and I was definitely entertained. Rise is a solid entry into the zombie genre, and I hope to see more (perhaps in another format) from this author.
Rise can be found here: http://www.amazon.com/Rise-Gareth-Wood/dp/1618680102/ref=sr_1_2?s=books&ie=UTF8&qid=1332714817&sr=1-2
Review of the movie: “The Dead”
The Dead is a zombie movie made with the traditional fan of George A. Romero’s work in mind. This story offers nothing new to the zombie genre from the standpoint of the undead. In fact, it goes old school, with slow moving ghouls that require damage to the brain to put them down. For those fans who prefer their zombies fast moving, like you find in movies like Resident Evil, 28 Days Later, and the remake of Dawn of the Dead, this tale might seem agonizingly slow. For those who love the older Romero flicks or who consider themselves equal opportunity zombie fans who love all rotters no matter what speed they move at, this one is worth checking out.
The premise is almost painfully simple. Air Force Lieutenant Brian Murphy is a survivor of an airplane crash that was supposed to be the last plane out of undead-plagued Africa. After a narrow escape on the beach where the crash occurred from numerous zombies closing in, he makes his way inland in an effort to find safety and perhaps an airfield with a plane that he might be able to fix up to escape. His journey is filled with an endless supply of the undead-for the most part they are spread apart enough that there are no hoards to deal with. Individually, these slow moving monsters are easy to handle or avoid, but when Brian is forced to stop for any reason, they begin to methodically swarm his position and rapidly become a major menace. After he manages to get an old, beat up truck running, it becomes clear that the dead are popping up everywhere, which makes it virtually impossible to stay in one place for very long. It’s at one of these times when Brian is forced to stop and almost gets torn to pieces by a steadily growing pack of the undead that he is saved by Daniel, a soldier who is looking for his son who managed to escape the massacre of their village by the undead. The two men agree to join forces to find Brian a plane and to get Daniel closer to where he believes his son might be-with other soldiers in an encampment to the north.
The Dead is a moody, atmospheric piece that uses the rural African environment to full advantage. For what seemed like a relatively low budget film the cinematography was well done and the special effects were more than adequate. There is no complicated plot or massive character development here, but for the most part, less is more in this tale. Except for a couple of scenes filled with hordes of the undead destroying everything in their path, even the zombies were sparse, showing up as they do in dribs and drabs, until there are more of them closing in than someone can handle, when just seconds before they thought everything was under control. This is one of the most low-keyed, subtle zombie flicks I’ve seen; definitely worth checking out for most zombie fans out there.
The Dead can be found here: http://www.amazon.com/Dead-Rob-Freeman/dp/B006BZ8NXY/ref=sr_1_3?ie=UTF8&qid=1330155218&sr=8-3
Review of Jacqueline Druga-Johnson’s “The Flu”
The Flu tells the tale of a pandemic flu attack on the world, tracing its origin at a remote Alaskan scientific outpost to where it rapidly spreads across the globe, though the story more specifically zeroes in on the United States, and even more particularly on a small town in northeast Ohio, Lodi, which is not tremendously far from Cleveland. The story focuses on Mick, the Sheriff in town and his surrogate family, which consists of the woman he is secretly dating, Dylan, and her three sons. Sam, Dylan’s husband, who she is divorcing, is attempting to reconcile with her at the same time. The lives of this family come into focus as Lodi goes under the magnifying glass because of the return of one of the world’s most renowned virologists, Lars Rayburn, who lives in Lodi one month out of the year, spending the rest of his time studying strains of the flu and other plagues in Madagascar. As this flu, which has a death rate up around 90%, plows across the country and the globe, Lars decides that with the help of the government that he will shut off Lodi and attempt to create a safe haven away from the flu, one where he will be prepared to deal with it when it comes, and will do his best to block it off from ever hitting the town.
The book devotes a goodly amount of early pages on the spread of the flu, and as is the case throughout this tale, we are given the personal stories of those who are exposed to it and are dealing with the pain and anguish it brings. The Flu seems like a tidal wave, smashing into everything, giving it a sense of inevitability. Some survive, though most do not-at least not until it surrounds Lodi. The harsh reality is that the best that seems can be done is to wait until this plague dies out on its own-it spreads, it infects, it kills, and then the flu dissipates, leaving behind approximately 5% of the former population. The author does do a good job of crafting characters that you grow attached to, and can appreciate-the normal, everyday people of the town of Lodi, including the main characters who are just trying to survive and keep the town safe. I think the strongest, most potent parts of this story were when these people were interacting with each other and trying to go on with their lives despite everything happening around them. These two main components of this tale-the inevitability of the flu and the development of characters we care about-bring things to a head in the homestretch of the book.
I enjoyed this tale, and feel that the author did a bang up job crafting a plausible pandemic scenario and also created characters that you care about and are hoping manage to survive, though you suspect from the beginning that it is unlikely that all of them will survive, and there will be plenty of heartbreak. As far as issues I had with the story, I would say a minor one was some of the typos and editing issues, though they were ones I could certainly live with. If I were to state that I had a real issue with things, it wouldn’t be something that I could exactly pinpoint in the story itself. I think it would be more along the lines of the pacing. As I said, the flu moves with a certain amount of inevitability-which means that it seemed that the surprises in this story were few and far between for me-things happen because the flu is going to bulldoze everything in its pathway, and it does so at a relatively slow pace. The story, in turn, moves at that pace as well, taking about half its pages to really move it along to where it started to get really interesting for me. I can understand and appreciate all that came in the first half of the book, but again, I would have been happier with a faster pace up to that point. Even with that said, I give credit where credit is due, and the author deserves a lot for crafting a realistic and intriguing pandemic tale that had characters inhabiting the story that felt real and compelling, which, in the end, made the build up well worth it.
The Flu can be found here: http://www.amazon.com/Flu-Jacqueline-Druga-Johnston/dp/1885093489/ref=sr_1_1?ie=UTF8&qid=1329959697&sr=8-1
Review of Craig Jones’ “Outbreak: The Zombie Apocalypse”
Outbreak is a zombie outbreak tale told from the first person perspective of Matt, a young man living on a gated estate with his younger brother, Danny. Their parents died a few years earlier, leaving them independently wealthy and living close to a fairly small, remote village in south Whales. They don’t have jobs and no other reason to venture out from behind their walls-especially with the government telling everyone to remain hidden while the undead roam the land. But there are other people begging for help in their little village like Nick, his wife, and three children. So the two brothers, watching as the undead slowly creep into their lives, try to do what they can to help those around them.
Outbreak is, in many ways, a pretty routine tale of an undead uprising. The zombies here are slow, stupid, and until they see blood they tend to be fairly limited in their reactions to humans (at least from a distance- the living who get near them are brutalized, naturally). This is a story of two brothers’ relationship and how they cope, and in ways, grow into something more than the leisurely slackers they’ve been most of their lives before this crisis consumes them and everyone around them. They find it hard to react to what is happening at first, as does everyone else, but before long it changes them from carefree lay bouts into desperate souls willing to risk their lives for people they barely know.
In other ways, this story is different than the majority of zombie tales out there. The outbreak is contained to Great Britain, which is sealed off from the rest of the world while the inhabitants either eradicate the undead or humanity is wiped off the island completely. Another aspect of the tale that is different is that living actually manage to turn the tide here, but not before the brothers and their new found friends face tremendous perils, witness the gruesome demise of several people they are trying to save, and are forced to cope with heart wrenching loss.
But the story does not stop when the undead are defeated…
The story carries forward from there, and this simple story of the zombie apocalypse takes a couple of interesting turns. Without revealing too much (or any spoilers), I can say that this book has three very different parts to it, and what I have described above only encompasses the first of the three.
I’m not sure how to react to the book in its entirety. It is written well, and I did grow somewhat attached to Matt, despite his self-absorption and inability, at times, to see things beyond his own misery. He grows and changes through the tale, but not necessarily matures, and not all of his changes are positive or smart. This leads to the intriguing, if somewhat slow moving second part of the book, and the shocking third and final act.
At times, I was wondering why the story was continuing on long past the putting down of the undead, and in retrospect, I think the author could have condensed things a bit in part two of the tale, just to move things along and get us to the adrenaline-drenched conclusion of the story.
Suspension of disbelief is always a key part of enjoying a good zombie tale. There are a couple of instances in this story that might stretch that suspension of disbelief for some folks out there who like their zombies to be of the traditional variety. I am not talking about the slow vs. fast debate, but what capabilities zombies have beyond being mindless eating machines. For me, this wasn’t an issue, because I believe the creative liberties the author took here with the undead were intriguing, but it is fair to point out that if you tend to dislike seeing zombies doing more than acting like thoughtless predators, you might take issue with this story as it progresses.
Overall, this was an interesting and fun undead story. The characters felt genuine and real to me, even if Matt and Danny were foolish, arrogant, and rash at times. They were also likable and in their own way, quite noble. Again, there are really three distinct acts here, and each one moves at a different pace. While the first act could stand alone, the second, more plodding act allows the story to move to the final portion of this tale, which flies by at a blistering pace and had my heart racing before all was said and done.
Outbreak: The Zombie Apocalypse can be found here: http://www.amazon.com/Outbreak-the-zombie-apocalypse-ebook/dp/B006T3IRD4/ref=sr_1_1?s=books&ie=UTF8&qid=1329434397&sr=1-1
Review of Ryan C. Thomas’s “Hissers”
Hissers starts out giving the reader a hint as to what to expect with the rest of the story when we are introduced in the prologue to a General and a scientist in a government financed lab. They are working on ways to help soldiers in war with healing and regeneration of limbs and have come across some significant success, though there is still work to be done. But they need to sell what they’re doing to the higher ups to get more of the financing they need. So they plan on flying across country and demonstrating what they have so far. Fast forward to the start the actual story and we are introduced to a quartet of soon to be high school students-Connor, Seth, Nicole, and Amanita-who are preparing for the last weekend before school starts and their lives change dramatically as they move closer to adulthood in their little town. There is a huge party that night, and some of them plan on attending. But any plans they have come to a screeching to a halt when a plane crashes, plowing down the very street they were headed to for the party. Rushing to see if they can help any survivors, they quickly discover that those that were killed in the crash are getting back up and have turned into ravenous undead monsters. And these aren’t just your typical sprinter zombies, these are ones that have gained the ability to absorb replacement limbs that they themselves might end up tearing off their victims. Not only replacements, but additional limbs. This new race of the undead make an eerie hissing noise as they move and attack that gives the book its name.
The rest of the tale takes place over the course of the night and next day, with our four main characters racing for their lives and coping with tons of teenage angst and drama that comes with them normally. They get to witness the demise of loved ones and just about everyone in their town. No one is safe from these crazed monsters or the author’s willingness to hand over victims to the cause. Parents are struck down, but so are children and even babies. There is plenty of gore, action, and fast paced adrenaline drenched terror to go around for all. Hissers was a lot of fun in that regard-the action is intense and the monsters are creative and scary-they aren’t quite zombies, but still have some of the same qualities we all know with the undead-you have to hit them in the head, their bites turn others into what they are, and they can be tricked and fooled because they aren’t too bright.
For the most part, the four main characters are fairly believable, though the author stretched that believe-ability for me on occasion with some of their dialog and inner-monologues. It seemed somewhat forced on occasion, and a little overwrought. I get that these kids are dealing with incredibly harrowing situations, but it seemed that they were becoming a bit too profound with their analysis of not only what was going on, but life in general and their beliefs (or lack of belief) in God. This wasn’t something that distracted too much from my overall enjoyment of the tale, but something that definitely merits being brought up in this review.
Overall, Hissers is a fast paced, adrenaline charged zombie variation with some new and intriguing twists that occasionally bogs down with a few bits of overwrought dialog from its young cast, but nothing that should take away too much of your overall enjoyment of this creative, fun horror tale.
Hissers can be found here: http://www.amazon.com/Hissers-Ryan-C-Thomas/dp/193486160X/ref=sr_1_1?s=books&ie=UTF8&qid=1328673114&sr=1-1
Review of the movie “Zombie Apocalypse: Redemption”
Zombie Apocalypse: Redemption is a bare bones, low budget movie made by folks who appear to be having fun with what was clearly a labor of love. The basic synopsis of the plot is that John Knox, the main character, is condemned to death by the group of Apocalyptic Raiders he fell in with after the dead have risen and the world is overrun by zombies. The reason for his sentence is that he no longer wants to follow the leader Rome, who like Knox is ex-military, but is a psychopath that slaughters for fun and for no other discernible reason. Knox is allowed to escape by one of the other members of the group who apparently also doesn’t like Rome much either (and gets executed for his troubles). The escape isn’t without hardships, since Knox is left handcuffed and is sent out into the desert. He manages to avoid getting devoured by a zombie and gets rescued by a band that roams the wastelands doing their best to fend for themselves. They are led by a man named Moses (Fred Williamson) who is likely the only member of the cast that the vast majority of the audience might know. Knox does his best to help his new found friends, even though trust is hard to come by given the fact that they know of his raider past. At the same time, his old nemesis, Rome, wants Knox found and executed, and so the hunt is on. Of course, the two groups end up clashing and in the end this tale becomes a battle between good and evil, with a horde of the undead smack dab in the middle of it all.
I was provided this movie for review because I am essentially a zombie-fiend. I review mainly zombie and other horror-type novels, but now and then I will review a movie. Yes, this is a very low budget movie and is very much a b-grade flick. Some of the dialog was a bit rough and every now and then unintentionally amusing. Jerry Lynch, who plays the head bad guy, appears to be fond enough of chewing scenery that he probably got indigestion after he was done here. Nope, this one won’t win any major awards, but for me, it was a fun post apocalyptic zombie flick. You sort of have to just go with it-accept the limitations of having minimal budget, no real known actors, and a simple apocalyptic premise. If you can do that, this movie is fun to watch. The concept is workable, with a bit of a Road Warrior type feel to the bad guys with their mishmash of armor and a deluded leader who craves power. Fred Williamson might be a bit too old to be doing fight scenes (he is over 70, after all), but even watching him do that after having seen him in plenty of classic B-Grade action flicks of the past brought a smile to my face. This is a simple, rock ‘em, sock ‘em zombie flick with a high body count and no hidden meanings. Pick your side, grab a weapon, and kill both the undead as well as the living that would kill you first if they had the chance. Go in knowing what to expect here and you will probably have some fun with this one.
Zombie Apocalypse: Redemption can be found here: http://www.amazon.com/Zombie-Apocalypse-Redemption-Johnny-Gel/dp/B0055CP9S6/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1328389092&sr=1-1
Review of Carlos Sisi’s “The Wanderers”
The Wanderers is a translated version of a Spanish zombie novel brought over to the United States by Permuted Press. This is a fairly traditional zombie tale that takes place in Malaga, Spain, a city on the Mediterranean coast. It has an ensemble cast with several key characters that are focused on. The tale covers the initial rise of the dead and carries through to when the city is controlled by the dead and very few of the living remain. The zombies are a mix of slow and fast but I would say they are very traditional-they reaction to visual and audio stimulus and require that you do trauma to the brain to put them down.
While the zombies are the main obstacle for the living, as is the case with most quality zombie tales a human nemesis becomes the real problem. In this case, it is a priest who has tortured himself while locked up in his church trying to find the meaning behind the dead rising and has naturally interpreted it as a clear sign of the Apocalypse. Still, he doesn’t know why he has been spared, and in the madness that ensues, he submits himself to the zombie hordes outside the church, prepared to bring things to an end. This is when he discovers that the undead have no interest in him. They do not attack or try to eat him, but move past him, oblivious to his existence. Taking this as the sign he has been waiting for from God, along with a note from some survivors pleading for help that blows by where he is standing, he sets out to become the Angel of Death. He will use the undead to send the rest of the living straight to hell.
While the use of clergy who align themselves with the undead, or use them to defeat the living is nothing new in zombie storytelling, I think this is the first instance I have come across where a religious figure is given a genuine, if perhaps misguided, sign that they are special, and that God has granted them special powers.
The translation of this story from Spanish to English has a few hiccups, though none that really confused me. There are perhaps a few words missing and some awkward translations, but overall it was good enough. The story itself is solid enough, with a few characters that had a genuine feel to them that allowed me to grow attached and saddened by their loss, though there a decent amount of what I would call “cannon fodder” characters that were less interesting. The priest is somewhat one dimensional, with a madness that I have seen before in other stories-they have been chosen to destroy the sinners. This priest does so without question and with no doubts. Don’t get me wrong, the result is a loathsome and vile character that you love to hate, and want to see perish. The author does a good job making things interesting here, since this character you wish to see dead might also hold the key to survival because of his unique immunity to the undead.
Overall, this is an entertaining zombie tale. That it takes place in Spain gives it a bit of a different flavor than what I’m used to, and everything about the priest character made him quite intriguing. While there are murmurs of a possible sequel or trio of books in this saga, this story stands completely on its own, with no real loose ends that had me begging for more answers in the end.
The Wanderers can be found here: http://www.amazon.com/Wanderers-Carlos-Sisi/dp/1618680145/ref=sr_1_2?s=books&ie=UTF8&qid=1328063284&sr=1-2
Review of Kody Boye’s “Sunrise”
Back in October of ’09, I wrote a review of Kody Boye’s Sunrise. Kody, who was under the age of eighteen when he wrote his book of the zombie apocalypse, clearly had talent, but his story was somewhat raw, which was something I expected from such a young man still learning his way in the world.
At that time, I stated that the criticism I would have of the story would go hand in hand with what I find appealing about his writing style: his youthful idealism and exuberance. He wrote of romance in the time of the world ending with a great deal of zeal and perhaps with what some might call immaturity, although when seen through the perspective of someone who was not yet an adult, the perceptions he had should be understandable.
Kody Boye has changed since then. Now, as an adult, he has taken the time to revisit his first novel and revise it in ways that are more in keeping with his increase in adult experiences and relationships. In its earlier version, I would have been very comfortable stating that the story was all about gay characters and their experiences during the zombie apocalypse. Now, with the revisions that Kody has made, I would say that this story is about the experiences a group of people have during the zombie apocalypse. Some of the characters are gay, and it remains a theme in this book, but while it remains a key part of Dakota and Jamie’s experiences and their existence as main characters, it doesn’t detract from a story of the apocalypse, of human relationships, and how people manage to not only survive, but to thrive during times of great peril and tragedy.
Essentially, this story starts out with Dakota, a boy who has just turned eighteen, hiding out with his friend Steve, an Iraqi war veteran, in Steve’s apartment in the weeks following the start of the zombie apocalypse. With their supplies running out, they are forced to find a way out of their town with hopes of finding a safe haven. They end up at a modified apartment complex with several members of the military and several civilians there, including Jamie, a corporal who forms an almost immediate bond with Dakota.
Several key characters are introduced and developed within the pages of this book, and much is revealed about them as they fight and struggle to survive the undead…and the unique, intriguing new creatures that appear later in the book that may or may not be a new hybrid creation.
Kody’s writing has matured, and while some of his youthful abandon and exuberance has perhaps disappeared on these pages, it has been replaced by a sure hand that understands more about how adult relationships work, grow, and evolve. No, how some of them evolve is perhaps not perfect, but nothing ever is. Some of the imagery Kody creates seems a bit extravagant here and there, though he does paint a vivid picture that allows you to feel that you are a part of the landscape he is creating.
Sunrise is a tale of the apocalypse, of relationships, and of the struggles we all face to find love, understanding, and a place to call home in a world filled with death and destruction. Kody Boye has matured as a writer and is someone to keep an eye on. I see great things in his future.
Sunrise can be found here: http://www.amazon.com/Sunrise-Kody-Boye/dp/1468149652/ref=sr_1_1?ie=UTF8&qid=1326921549&sr=8-1&tag=vig-20
Review of Jessica Meigs’ “The Becoming”
The Becoming tells the tale of three people in the early days of the zombie apocalypse. Brandt is a military man who flees Atlanta not long after the start of the Michaluk virus. He was at the epicenter, having volunteered to be one of the guards at the CDC when the plague first broke free from one of the labs. As the city crumbles and the dead begin to rise, he heads west to Alabama while the virus spreads further out from the city at the same time. Ethan and Cade, two friends living in Memphis, are swept up in the story not long after as the virus plows through the entire southeastern United States. Ethan is a Memphis police officer who just got promoted while Cade is his next door neighbor and a former member of the Israeli Defense Force, or IDF, who has immigrated to the United States. Things hit the fan pretty fast in this tale, with the bulk of the early story dealing with Ethan and Cade coping with their first horrific exposure to the virus and then hitting the road, trying to figure out how to survive as everyone around them turns into flesh eating monsters. They hook up with Brandt while trying to see if Ethan’s mother is still alive in her small Alabama town, and together the three decide to head back west, toward Mississippi and with the hope of outrunning the fast moving virus. Naturally, there are interpersonal conflicts between the three, and they also end up meeting a few other survivors that add to the intense interpersonal relationships. This tale is the first of what I believe is a trilogy, and focuses quite well on the key things that tend to work well in zombie apocalypse novels: strong characters, lots of action, and a healthy dose of gore. It doesn’t break new ground in the zombie genre, but while stories like that are always welcome, it isn’t necessary when a story is filled with compelling characters and a solid plot.
This story has both of those, and its focus on the three main characters serves it well. They are well drawn and fit well into the survivor roles with their skills and training in the military and police force. But despite those talents, they are just as human as anyone else and coping with such incredible tragedy is quite difficult for them. The good, the bad, and the ugly of their personalities rear their heads when they are dealing with one another, the undead, and the other survivors that appear in this story. While the characters each ticked me off in turn and made me want to slap each one of them for acting the way they do, they were all also trying to do their best to remain human and doing what they can to help each other out, giving me reason to like them at the same time. Their reactions to the tragedies that unfold around them were real for the most part, though a couple of instances bothered me: Cade’s overall reaction to what happens to her niece and Ethan’s lack of urgency in getting to his wife-when they are first separated and later on in the story, when he wants to return to Memphis. Even with those minor complaints, the characters have a realness to them that helped me feel comfortable rooting for them to survive.
Overall, the writing in The Becoming is solid and the editing is excellent. The author tended to use eye color a bit much to reference particular characters and also used the word ‘smirk’ a lot, but even with those quibbles, it was clear that she is a talented writer who should continue to get better the more she puts pen to paper. I look forward to seeing what Ms. Meigs comes up with next for the compelling characters she’s created in this story.
You can find The Becoming here: http://www.amazon.com/Becoming-Jessica-Meigs/dp/1934861855/ref=sr_1_2?ie=UTF8&qid=1326433053&sr=8-2








